MAC1123 Cameron Graves PR5156 300dpi RGB by Anna Webber.jpg

El Michels Affair - Return to the 37th Chamber (Big Crown Records)
Add Date: 04/25
Focus Track: 9, 1, 7
FCC: Clean 

Add Date: 04/25
Focus Tracks: 9, 1, 7
FCC: Clean
Formats: College, Modern Rock Specialty, Triple A, Jazz, Hip Hop

Artist Info: When Leon Michels name first appeared on a record, he was 16. That release was Thunder Chicken, and the group was his high school band, The Mighty Imperials. The record was essentially an homage to The Meters, at the time it was near pitch-perfect for the budding retro-soul scene. While that release was an early step for Michels, aspects of it have almost become trademarks of his work: a unique raw-yet-disciplined approach to his sound and songwriting, and a soulful genuineness that has a sense of humor one minute and a sense of solace the next.

The lo-fi warm recording aesthetic and bottom heavy production alongside the immediate success of EMA’s debut release lead to playing a show with Raekwon of Wu-Tang fame. That show went over so well it lead to a tour with El Michels backing multiple members of the Wu-Tang Clan. It was these shows that ended up laying the groundwork for the release of El Michels Affair’s second full-length, Enter the 37th Chamber, which eventually introduced them to a worldwide audience. While the band’s fanbase went through the roof, the industry also quickly recognized that EMA was a force to be reckoned with. Almost in a domino effect, a huge range of hip-hop artists sampled Michels’ songs, from Ghostface Killah, Just Blaze, and Jay-Z to J Dilla, J.Cole, and Travis Scott.

So this brings us to Big Crown Records, the second record label Michels has helped build from the ground up. “Running a label that’s just one kind of music can be limiting,” Michels explains. “I know that, personally, things can’t be the same thing over and over again. You have to push into new something different, new directions—but keep hold of that aesthetic that got you here.”

What’s different this time around should be apparent—it isn’t just a retro-soul label, instead, it represents a wide variety of sounds all anchored in an aesthetic that provides them with a commonality. Much like Michels and all of his in-between projects and side hustles, Big Crown is at the same time pushing the envelope further and sticking to it’s guns.